女巫之锤[电影解说]

类型
电影解说
地区
捷克斯洛伐克
年份
1970
语言
捷克语
评分
7.5
导演
奥塔卡·瓦夫拉
主演
雅罗斯拉娃·奥伯迈耶罗娃,玛丽·纳德姆莱因斯卡,伊利亚·普拉…
集数
已完结
最近更新
2026年09月16日

简介:详情 ∨

In a Czech town in the seventeenth century, an elderly woman enters a church to accept communion. Her true purpose is to collect the holy host for a midwife who needs it to treat an ailing dairy cow. The woman is caught and is forced to explain her sacrilegious actions. Religious and secular authorities agree that she is in league with witches and may even be a witch herself. This prompts an inquisition where confessions are obtained through threats and torture. A tribunal is held to provide a legal facade. Though the hunt is initially confined to the impoverished fringes of local society, the hysteria soon expands to the point that no one, not even leading citizens, is safe. The ultimate target is a clergyman, Deacon Lautner, who defies the righteous men of the tribunal.   Based on actual trial records from the 1678 to 1695 period, this well made Czech film features excellent performances and strong production values. It is somewhat extreme by 1969 standards.

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剧情简介

一、《女巫之锤[电影解说]》为什么可以成为经典?

提起捷克斯洛伐克,人们就肯定会说出《女巫之锤[电影解说]》的名字。这部由奥塔卡·瓦夫拉导演,雅罗斯拉娃·奥伯迈耶罗娃,玛丽·纳德姆莱因斯卡,伊利亚·普拉哈主演的《女巫之锤[电影解说]》,在当时,真的是成为了一匹黑马,杀出了一条血路,创造了一个奇迹。为何会这么说,我想,就连奥塔卡·瓦夫拉导演和雅罗斯拉娃·奥伯迈耶罗娃,玛丽·纳德姆莱因斯卡,伊利亚·普拉哈,都没想到这部电影解说会得到这样好的反响。奥塔卡·瓦夫拉先生曾说过,这是一群失意的人凑到了一起创作出来的一部作品。因为在《女巫之锤[电影解说]》开拍之前,雅罗斯拉娃·奥伯迈耶罗娃,玛丽·纳德姆莱因斯卡,伊利亚·普拉哈已经有几年无戏可拍,而雅罗斯拉娃·奥伯迈耶罗娃,玛丽·纳德姆莱因斯卡,伊利亚·普拉哈主演的电影解说,票房始终不理想,这样的几个人凑在了一起,也真是缘分!所以,正是这样的失意感和强烈的自尊心,他们在电影解说中投入的热情,是我们难以想象的,其实《女巫之锤[电影解说]》中的人物心理历程和感人的剧情,何尝不是现实中他们的真实写照呢?所以,他们怀着一腔心有不甘的英雄气,用他们的实力和人情成就了这部经典电影解说,也成就了他们自己!

二、如何评价《女巫之锤[电影解说]》?

《女巫之锤[电影解说]》口碑非常好深受广大观众喜爱,《女巫之锤[电影解说]》一经播放立刻引来无数人点赞,不仅雅罗斯拉娃·奥伯迈耶罗娃,玛丽·纳德姆莱因斯卡,伊利亚·普拉哈演的好而且该电影解说故事情节也非常紧凑,影视工厂(www.qdnpr.com)观看起来特别流畅同时还能扣人心弦,虽然目前《女巫之锤[电影解说]》收视率一般但是该片目前受欢迎程度已经名列前茅。该电影解说主演雅罗斯拉娃·奥伯迈耶罗娃,玛丽·纳德姆莱因斯卡,伊利亚·普拉哈,她在该电影解说中的演技可圈可点,受到观众认可。

三、《女巫之锤[电影解说]》讲述的是什么故事?

《女巫之锤[电影解说]》In a Czech town in the seventeenth century, an elderly woman enters a church to accept communion. Her true purpose is to collect the holy host for a midwife who needs it to treat an ailing dairy cow. The woman is caught and is forced to explain her sacrilegious actions. Religious and secular authorities agree that she is in league with witches and may even be a witch herself. This prompts an inquisition where confessions are obtained through threats and torture. A tribunal is held to provide a legal facade. Though the hunt is initially confined to the impoverished fringes of local society, the hysteria soon expands to the point that no one, not even leading citizens, is safe. The ultimate target is a clergyman, Deacon Lautner, who defies the righteous men of the tribunal.   Based on actual trial records from the 1678 to 1695 period, this well made Czech film features excellent performances and strong production values. It is somewhat extreme by 1969 standards.

四、被称为电影解说的开先河之作的《女巫之锤[电影解说]》,是奥塔卡·瓦夫拉最好的作品吗?

从奥塔卡·瓦夫拉斩获电影解说最佳导演我就觉得这部《女巫之锤[电影解说]》是他最好的电影解说。虽然奥塔卡·瓦夫拉后来还拍出来了评价特别好的电影解说,但是《女巫之锤[电影解说]》是他电影解说的代表作品。

五、《女巫之锤[电影解说]》是哪一年上映的?

《女巫之锤[电影解说]》是奥塔卡·瓦夫拉于1970年拍摄的一部经典电影解说。此片开创捷克斯洛伐克当代电影解说的先河,《女巫之锤[电影解说]》上映时票房稳坐前三,创下当年纪录。当时雅罗斯拉娃·奥伯迈耶罗娃,玛丽·纳德姆莱因斯卡,伊利亚·普拉哈均为最佳主角,雅罗斯拉娃·奥伯迈耶罗娃,玛丽·纳德姆莱因斯卡,伊利亚·普拉哈以精彩演技和突出形象,奠定在捷克斯洛伐克影坛地位。雅罗斯拉娃·奥伯迈耶罗娃,玛丽·纳德姆莱因斯卡,伊利亚·普拉哈饰演角色造型多年后仍为人所模仿。奥塔卡·瓦夫拉之前曾被人怀疑其能力,而《女巫之锤[电影解说]》却奠定奥塔卡·瓦夫拉电影解说风格。《女巫之锤[电影解说]》首映时曾获海外电影解说和媒体广泛称誉,被认为其优秀程度,是足以与同时期(指1970年代)捷克斯洛伐克(捷克斯洛伐克)优秀电影解说齐名。

六、《女巫之锤[电影解说]》电影解说的主要内容

《女巫之锤[电影解说]》是一部电影解说,由导演:奥塔卡·瓦夫拉执导,主演:雅罗斯拉娃·奥伯迈耶罗娃,玛丽·纳德姆莱因斯卡,伊利亚·普拉哈。《女巫之锤[电影解说]》In a Czech town in the seventeenth century, an elderly woman enters a church to accept communion. Her true purpose is to collect the holy host for a midwife who needs it to treat an ailing dairy cow. The woman is caught and is forced to explain her sacrilegious actions. Religious and secular authorities agree that she is in league with witches and may even be a witch herself. This prompts an inquisition where confessions are obtained through threats and torture. A tribunal is held to provide a legal facade. Though the hunt is initially confined to the impoverished fringes of local society, the hysteria soon expands to the point that no one, not even leading citizens, is safe. The ultimate target is a clergyman, Deacon Lautner, who defies the righteous men of the tribunal.   Based on actual trial records from the 1678 to 1695 period, this well made Czech film features excellent performances and strong production values. It is somewhat extreme by 1969 standards.